In Flames

siren-charmsSiren Charms by In Flames (Epic Records)

There’s plenty of bands that started out metal and went on to something else: The Gathering turned their back on metal adding influences from Dead Can Dance and Cocteau Twins to their style, Anathema evolved into a more atmospheric rock band and Cynic turned into a progressive, ambient, jazz, rock amalgam that is a thrill to hear. On their two most recent albums Opeth channels pastoral and psychedelic bands of old without losing their own past heaviness. And there are plenty of bands that incorporate pop elements into their metal.  In Flames want to be catchy and accessible and metal all at the same time.  After two decades of causing neck damage they continue to experiment with textures, vocal approaches and rhythms searching for that one (or, hopefully, an album’s worth) great pop metal song.

in-flames-2014-640x400On Siren Charms  the band sounds eager to bring in new ears. In Plain View balances heavy & hard with a softer side in Anders Friden’s varied vocals, swinging from anguished clean singing to gut-punching screaming in the chorus, it’s all crisp and shiny and razor sharp.  Everything Is Gone combines several tempos, Daniel Svensson showing off his skills, speed punk one second, double bass kicks the next, then slamming into an all-out brutal metal part.  Paralyzed sounds like In Flames’  version of a post-apocalyptic love ballad with Orjan Ornkloo’s buzzing synths and Friden’s singing about being out on our own in a wasteland.

With Eyes Wide Open begins with harmonized guitars leading to a very catchy rock ballad, the keyboards way in the background, Friden singing clear and strong, Bjorn Gelotte and Niclas Engelin’s guitars shining through for maximum uplift.  When Worlds Collide remind you In Flames can do dangerous and they don’t disappoint. Swedish opera singer Emilia Feldt joins in with her sexy croon and angelic fills to add a sense of wonder.

Creeping up towards the end of Siren Charms, on Monsters In The Ballroom, In Flames tempers what’s mainly a soaring and heroic rock song with screamed vocals and chugging and harmonized guitar riffs. The crunchiness and double kick drum finale is especially satisfying for the headbanging.  To wrap up the album, Filtered Truth features Peter Iwers’ bass, carrying the melody along with Ornkloo’s keyboards, Friden screaming about the rage inside as the guitars and drums burn and crash.

In Flames will be on the Siren Communion Tour with Red Fang and Opeth this winter and will play the Hollywood Palladium on December 9th.

(Review by Bret Miller)

LINKS:
Inflames.com
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