Taiga by Zola Jesus (Mute Records)
Nika Roza Danilova’s Zola Jesus releases are works of a singular talent, made by someone willing to experiment with styles, textures, traditional instruments and a voice that shines through strong and has an emotional weight not heard often enough in modern music. Listening through Danilova’s back catalog of EPs and full length albums brightness shines through the dark, upbeat tempos burst out of seemingly gloomy mood music, pop songs are buried in goth/industrial trappings yet always with Danilova’s voice the prominent instrument, the ship you ride through the storm.
To ground the music of Taiga, Danilova and her husband spent time on Vashon Island, a forest island in the Puget Sound near Seattle, only reachable by ferry. She wrote the songs there in the peaceful, natural surroundings. Taiga is a word that refers to Coniferous forests, the likes that cover over 1/5 of the northern hemisphere, specifically in Russia and Siberia. Places removed from people and technology where the chatter of the modern world is replaced by the sounds of wind through the trees, the bending of branches, the chatter of birds, the melting of ice. Danilova then took her songs and with the aid of co-producer Dean Hurley, who has worked as a sound editor and music arranger for the likes of David Lynch, crafted a collection of beautiful, mysterious and heartfelt songs.
(Photo by Jeff Elstone)
Danilova also wisely couched some of the incredible songs on Taiga in the framework of modern music, mainly that of the dancefloor-ready pop songs of today.
The opening title track is our introduction: her heavenly layered voice repeating the word “taiga”, a blast of drum’n’bass, a shadowing of ominous horns. Dangerous Days, is catchy and often light, yet has a delicious and dark undercurrent of churning and scraping synths that brings solidity to the song. Danilova sings sultry and soaring, drawing you into her world. Dust is a torch song with horns that pepper the song, itchy electronics and a pretty breakdown at the end. Hunger grabs you immediately with brash horns and pounding drums, Danilova growling “I got the hunger, I got the hunger in my veins/ I won’t surrender, still it takes me away” like a mantra. Go* blends primal and earthly with heavenly and electronic elements, another cathartic chanted vocal delivery “And I say no, I say no one can stop me now/And I say no, I say no one can stop me now” that will have you wanting to follow her wherever she takes you. While Ego does have sounds in it other than vocals, it’s Danilova’s voice that is front and center, clear and powerful, a Venus rising from the ocean. Lawless starts up with clattering percussion and a creepy cool undertow backing soulful and searching vocals, then majestic strings join in and the song morphs into a brightly-colored butterfly.
Taiga closes with It’s Not Over, a song that combines Danilova’s love for both dark and brooding and big and bold, as she sings enigmatically about only she knows what, chanting “It’s not over tonight” at the end of the song making you believe that whatever she’s working through will have a positive outcome and she’ll be stronger for it.
The artist known as Zola Jesus is only 25 and Taiga took four years to make. Her new album reveals an intelligent and bold woman willing to bare her soul in her vocals even while her moving lyrics are pictures to be interpreted by the listener however they like. And the music contains traditional and modern instrumentation with an ear towards the dancefloor while retaining a serious significance that will keep music fans interested and engaged for years to come.
Go was originally released in 2010 on the Valusia EP as Sea Talk.
(Review by Bret Miller)
Video for Orbital’s New France (with Zola Jesus)