Ana Sky: Boulevard Dreams & Mythic Realities

Ana Sky: Boulevard Dreams & Mythic Realities

Ana Sky is having a moment — the kind that feels both hard‑earned and cosmically aligned. Fresh off a packed hometown show at The Roxy and a revelatory European tour, the Los Angeles singer steps forward with Prologue, a debut EP that reads like the opening chapter of a much larger story. Her songs move between myth and memory, Sunset Boulevard grit and dream‑logic introspection, all delivered with a voice that carries both vulnerability and fire.

With her upcoming performance for We Found New Music at Bar Lubitsch this Thursday (September 17th), Ana Sky arrives not just as a rising artist, but as a storyteller claiming her own narrative — one mistake, one triumph, one song at a time.

Ana Sky joins us to discuss her recent touring adventures, her debut EP Prologue, and the whirlwind journey from biology labs to the global stage.

Where are you based, and what is your local music scene like?
I’m based in Los Angeles, and the music scene here is incredibly vibrant. Pretty much any kind of music you want to find, you can find it in LA.

As well as the heat — it’s scorching today.
Today especially! It’s really hot. (laughs) So you’re also in LA? Okay, yeah — you know exactly what I’m talking about.

You recently played The Roxy. How did that show go, and what was it like performing on the Sunset Strip?
I had such a great time. The show went really well, and honestly, it was surreal. Growing up in LA, I’ve driven past The Roxy a million times, always thinking, “It would be so cool to play there.” Getting to actually do it felt incredibly special.

And it was packed! I was there — amazing show.
Thank you!

You also toured Europe recently. How did that experience go, and what were some highlights?
My gosh, I had so much fun. It was my first time playing internationally, and I was blown away by how different the energy is there. People really show up for the openers — they’re excited, eager, and open‑hearted.

In the States, people sometimes sleep on the openers. I’ve been guilty of that too. But touring Europe changed my whole perspective. Now, as an opener myself, I have so much appreciation for the people who give my music a chance. Europe really embodied that.

You toured with Jesse McCartney. What was that experience like?
It was amazing. He’s such a wonderful person to work with, and his whole crew was fantastic. It was my first tour, and honestly, it couldn’t have been a better experience.

For people who haven’t seen you live yet, what can they expect from an Ana Sky show?
Every show is a little different. I feed off the crowd’s energy and try to make each performance special. Expect high drama, high energy, lots of dancing, and of course, lots of singing.

I also like to mix up my setlist from tour to tour to keep things fresh. And now that my EP is out, I can finally play more of the songs I’ve been holding onto, which is really exciting.

You were discovered by legendary songwriter Diane Warren. What was that experience like?
It still feels wild to me. She discovered me from a video of me singing — a video I didn’t even know existed. She hired me to record in her studio the very next day.

At the time, I had zero experience recording or working in a studio. I was working as a scientist and never imagined pursuing music. Diane really started a whole new chapter of my life. I’m so grateful.

How does a biology student suddenly switch over to music? What happened?
Very abruptly! (laughs)

Singing was always something I loved — a secret dream. But growing up in LA, you see how cutthroat the industry is. I thought it was safer to stay in science.

After working with Diane, I decided to go for my dreams. Biology is still a big love of mine, and I’ll always consider myself a scientist, but now I get to pursue the creative part of my brain too.

Your debut EP Prologue was just released. Tell me about the title and what it represents.
Since this is my debut EP, the title Prologue felt symbolic — an introduction of myself and my music to the world.

I’m also a big reader, and books have always been a core part of who I am. The word prologue carries a lot of meaning for me. The rest of the chapters are still to come, but I love the idea of this being the opening part of the book that is my music.

Who produced the EP, and what was it like working together?
My producer is AC Burrell, one of Diane’s producers — that’s how we met. He’s incredible and has been with me since day one.

Looking back at the first songs we made together, we’ve come so far in such a short time. This EP marks a huge accomplishment for both of us. I couldn’t ask for a better producer.

Let’s talk about a few songs. First up: “King of Hearts.” What inspired it?
“King of Hearts” is about the experience of being cheated on — knowing it’s happening, finally getting the confirmation, and reclaiming your life and power. It’s something a lot of people can relate to.

I liked the symbolism of playing cards — the whole “love is a game” idea. It’s a powerful song with a lot of meaning for me.

Next: “Boulevard Dreams.” What’s the story behind that one?
It ties back to living in LA and watching so many people come here to pursue the industry. “Boulevard Dreams” is about that struggle — the double‑edged sword of the entertainment world, and how easy it is to lose yourself while chasing it.

There’s also the irony of me now doing the same thing, and trying not to lose myself in the process.

The boulevard in the song refers to Sunset Boulevard and Mulholland Drive — two core parts of LA. And yes, it was a little inspired by David Lynch’s Mulholland Drive, which explores similar themes.

“Bad Guys” — tell me about that one.
I’m super proud of “Bad Guys.” It just came out yesterday, and even though it’s part of the EP, I was so excited about it that I started performing it early on tour — kind of like an Easter egg for the people who were there.

What’s crazy is the synchronicity. I wrote the song a year ago, and right as we were gearing up to release it, The Odyssey movie came out — and “Bad Guys” is based on a lot of tropes from The Odyssey. The song is about the villainesses in that story, and about realizing you might be the bad guy in your own story. Some kinds of love bring out a desperate, chaotic side of yourself — or at least they did for me in the past — and that’s where the inspiration came from.

And the timing of the movie release? You can’t make that up.

One of my favorites on the EP is “LSR.” Tell me about that one.
Thank you — I appreciate that. “LSR” stands for love, sex, regret, and it’s really a song about freedom. Specifically, the freedom to make your own mistakes. That’s something people don’t talk about enough. Freedom isn’t just about doing the right thing — it’s also about having the space to make the wrong decision and deal with the consequences.

That’s definitely been relevant in my love life. Especially in college, I made a lot of mistakes, but they were important for my growth. I needed to make those mistakes to become who I am now.

There’s so much going on in your songs — really fascinating stuff.
Thank you. I think there’s a lot of meaning in them, but I also hope they’re just fun songs to listen to.

If you could open for any band or artist, now or from the past, who would it be and why?
That’s a great question. I would be so honored to open for Lana Del Rey — she’s one of my biggest inspirations. Sometimes people comment on my posts saying I’m like a knockoff version of Lana Del Rey, and honestly, that’s the biggest compliment anyone could give me. I don’t take it as a slight at all.

I also think it would have been incredible to tour with Amy Winehouse if I could resurrect someone from the past.

But truly, every touring experience I’ve had has given me so many lessons, memories, and relationships. Collaborating with other artists is one of my favorite parts of being an artist.

Your EP Prologue just came out. What’s next for you?
We’re planning a little listening party with some of the people I work with, plus family and friends. We’ve written a whole cache of other songs, and now it’s about figuring out which ones we want to roll out next.

So we’re entering a planning and development phase while continuing to push the EP — and of course, writing, recording, and releasing new music as much as we can.

Do you have any messages for fans reading this, or for people discovering your music for the first time?
I would say welcome — and thank you so much for giving my music a listen and opening your heart to me. This journey has been incredible, but the most incredible part is getting to share it with people who resonate with my music. I’m super grateful and so excited to have you here.

In Conclusion

As Ana Sky turns the page from Prologue toward whatever comes next, she does so with the clarity of someone who has already lived several lives — scientist, dreamer, villainess, survivor, and now a fully realized artist stepping into her own mythology. Her journey is still unfolding, but the connection she builds with listeners is already unmistakable.

Catch her this Thursday (September 17yh) at Bar Lubitsch for We Found New Music, where these songs — and the stories behind them — will come alive in real time. For longtime fans and brand‑new listeners alike, Ana Sky’s next chapter is already beginning, and it’s one worth following closely.

And This Just In

Ana Sky announced today her direct support for Westlife’s upcoming 25th Anniversary UK & European Tour. Kicking off September 29 in Aberdeen, the arena run will take Ana across the UK and Europe with stops including London’s O2 Arena, Manchester’s Co-op Live, Glasgow, Paris, Amsterdam, Stockholm, Copenhagen, Cologne and Zurich.

(Interview by Ken Morton – Photos by Jack Lue)

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